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I didn’t want to like the D100 but that’s not how it’s turned out! As soon as the D100 slipped into my hands and I looked through the viewfinder, I instantly grew fond of this little digital. While the D100 only eighs a mere 24.7oz, it is packed with goodies. I had to wonder with the 6MP CCD and the low price, hat the compromise was in the D100 since Nikon doesn’t give you more for less. The compromise is in he one place that makes the most sense, and that’s write times, because it sure ain’t in image quality. The
D100 delivers features you won’t find in any other camera. Point blank, the D100 delivers image quality, no mistaking that!

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See why I love to crank my colors?The Nikon D3, D700, D300 and D90 let me get wilder colors than any previous Nikon, including film cameras loaded with Fuji Velvia 50.ot that you want colors this wild, but I do. Art is the expression of imagination, and I ream in very vivid colors. ou probably prefer more a polite color rendition. For people, I turn it down and get creamy smooth skin This will show you how to set your camera as you like.

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Handling & ease of use The SD14 looks and feels much better
than its predecessors, with better styling, nicer balance and more
robust build quality. As with all models designed for serious use, the
Sigma has a good weight and the exterior feels very robust. The large
handgrip has a rubberised texture that makes it easy to grip and the
general layout of controls don’t take too long to get used to. While the
dials and buttons offering a positive response, they still lack the
refinement of those on the Nikon D200 (and other rivals). Compared
side by side, the Nikon wins in the handling/looks and feels like a far
more serious proposition than the Sigma. This opinion is further
enforced when looking through the viewfinder – while sharp and
reasonably bright, the Sigma’s is relatively small and the exposure
information along its base covers the essentials without being too
in-depth. The 2.5in LCD monitor provides a clear image, although the
viewing angle isn’t anywhere near as good as the Nikon

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Handling & ease of use
While Fujifilm is not able to
confirm it, there is little doubt that the FinePix S5 Pro is
based on the Nikon D200. Which, anyone who has handled
the D200 will verify, is a good thing. The S5 Pro feels like a
camera made for serious use – something its predecessors
didn’t really manage. The body is quite large and feels very
substantial, with the rubberised handgrip really assisting its
handling and allowing for one-handed use. All the buttons
and controls are large and well marked, so pros looking to
work quickly wont have to worry about fiddly controls with
this camera. There are quite a number of buttons to be
found, mainly on the top-plate and the camera’s rear and
while their functions are clear enough, the level of well
marked, so pros looking to work q